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Browsing Category Photo and Video Gear

New Honl Pro Gold Flash Snoot

Posted on February 8, 2010 by Doug Luberts

I kind of tripped across photographer David Honl’s web site about a month ago, when I was looking for a Velcro system to mount an old Lumiquest softbox to a new Nikon SB-900 Speedlight.  Since then I have become quite a fan of his Honl Pro line of strobe accessories.

The Honl Pro line starts with the HonlPhoto Speed Strap for Shoe Mount Flashes … a Velcro strap that has a sticky-ish rubber underside. You wrap the Speed strap around the head of your flash unit, and from there you can attach all manner of attachments to it … from snoots to bounce cards to honeycomb attachments and every other light-shaping tool you can think of. The strap leaves no marks when you remove it, and it’s not like having Velcro stuck to your speedlight permanently.

The system is genius, and so simple, yet elegant, a line of solutions that I’m not sure why someone hadn’t thought of it already.

Anyway, Honl Pro has just come up with a new snoot lined with a gold reflector called, quite sensibly, the HonlPhoto 8″ Gold-Silver Reflector/Snoot.  I’ve already got three Speed Straps and a bunch of attachments, but I’m eager to add the gold snoot to the mix.  It’s perfect for warming up skintones for portrait work.

If you’re going to give the Honl Pro line a shot, I’d recommend buying the kit … just get all the stuff at once and save a few bucks.  You will quickly find yourself wondering how you ever got through a shoot without it.



Canon Announcements from San Francisco FCPUG SuperMeet

Posted on February 6, 2010 by Doug Luberts

Tonight was the annual San Francisco FCPUG SuperMeet at the Mission Bay Conference Center.  Amidst the usual assortments of technical demos, vendor presentations and creator show ‘n tells, Canon made some new announcements of both hardware and software.

First up was a demo of a soon-to-be-released Final Cut Pro Plugin for managing DSLR footage shot with the EOS 5D Mk II or 7D (presumably with the 1D Mark IV as well) that was pretty damn spiffy.

The plugin opens up a log and transfer window that allows capture off of SD media via a card reader, directly into Final Cut Pro.  The kicker here is that it preserves all of the camera metadata, including lens info, and backs up the original media to a disk image (.dmg) file on your PC. This adds a lot of flexibility to the 5D/7D workflow and creates an option for doing an offline review of your materials and a selects-only ingest.

The FCP plugin will be available for download from the Canon site, soon.

Canon also introduced a new codec earlier in the week.  It’s a 50mb MPEG2 codec that uses 4:2:2 color sampling and long-GOP (15 frame) compression. Aside from wondering if, in these days of H.264 and emerging standards for AVC-Intra, there is really a future for MPEG2, it was kind of disappointing to hear that this new codec is only going to be available for their new video camera model, and is not planned as a part of their DSLR strategy. Canon also showed clips of product managers from all of the top non-linear editing companies indicating their plans to support the new codec.

An unlabeled, non-functional, prototype of the new camera was on display in the vendor area, and the Canon rep had no ETA on when the camera would be ready or what features it may have.  This was reinforced by an almost Apple-like disclaimer about not making any statements with regard to future product offerings.

Hey, guys?  Could you vague that up a little?  That was the biggest non-announcement I’ve ever heard. “We have a great new codec with no name that will be implemented on a new, also unnamed, camera, for which we do not have a feature list, specs, or a release date … Oh, and even if we did we wouldn’t tell you anyway.”

It was just a bit absurd, but I’ll take the FCP plugin.  It should be worth it’s weight in drive-space-saving gold.

Congrats to event Producers Michael Horton, Daniel Berubi, and company for another great event … I’m already looking forward to the NAB Supermeet in April.

Nikon D90 in a Nutshell (Updated 01/03/09)

Posted on January 3, 2010 by Doug Luberts

Update:

Now that I’ve had a chance to do some shooting with the camera, it seemed like a good idea to come back and revisit this entry.

In short, I love this camera. Period. In fact, calling it a camera at all is a drastic understatement … It is a state-of-the-art computer with advanced optical and image capture capabilities that is a dream come true for a guy who started out with a Kodak Instamatic 126 camera.

All right … Most of my shooting life I actually worked with a Nikon FM (the stylish, although at the time optional, black body model), which I learned to make dance and sing through years of technical study, becoming fully acquainted with the camera’s quirks and eccentricities, and the occasional human sacrifice (kidding … just kidding.) I miss that camera … Sold it when I bought my N90s bodies and Nikon D lenses. Should have held on to it just for old times sake … kind of like that old baby blanket, now reduced to a towel, that Arthur Dent used to carry around, but I digress.

The D90 is as simple a camera to operate as you want it to be … throw it in auto mode and it’s a very expensive point-and-shoot camera … or as complex as you want it to be … lots of menus, sub-menus, command dials and modifiers. At the higher levels, a degree in quantum mechanics is still not necessary, but highly recommended.

Not really.

As someone who spent around 30+ years shooting film, the biggest part of this whole thing was making the paradigm-shift to digital photography. Luckilly I work in an industry that helps facilitate that, but it still took a while to wrap my brain around some of the key concepts … Possibly my lack of enthusiasm for digital photography as a medium was because the D70 was still too far away from the kind of quality I was used to getting with Kodachrome 25 and my Nikon FM, that I just never felt the love.

The D90 is a completely different experience.

Using the D90 in conjunction with Adobe Lightroom, and some color correction skills picked up along the way, I’ve been able to create some really great imagery … most of it without having to jump into Photoshop to do anything approaching the wacky.

Now before you all start screaming about there being better cameras out there now … Yeah, sure. There are some great cameras out there now. The Canon 5D mk II, the 7D, the Nikon D3x, and D3s, or even last year’s, but still fashionable, Nikon D700. It’s all good stuff. But for someone taking a drastic leap into the 21st Century of Photography, the D90 is da’ bomb.

A few random suggestions for those in the same boat:

  • Apple Aperture: Tried it, didn’t like it. Lightroom is the shizznit fo’ me.
  • Shoot Raw (NEF), shoot it all the time … Your life will be better, you will get more chicks, and your hair will grow back
  • Learn to love the EV override switch and stop talking about f-stops
  • Don’t buy DX lenses – Eventually all DSLRs will have full size sensors, and you will have to buy again
  • Buy Nikon Speedlights (SB-900 and SB-600) and get into CLS (Creative Lighting System), see my comment about shooting raw
  • Don’t buy the most expensive CF cards … I’ve used three different “levels” of SanDisk cards and they’re all about the same
  • Get some books on digital photography by good photogs, like Scott Kelby or Joe McNally … Reading Nikon manuals is about as much fun as a colonoscopy

I’m going to break one of those suggestions and buy a Tokina 11-16mm f2.8 zoom lens.  I’m more into intimate, wide, shots, and Nikon’s 14-28mm 2.8D offering is about $1,100 more than the Tokina, and not nearly getting the kind of buzz the Tokina is getting.  I’ll give it a try.

One thing Nikon could be doing better is building faster glass … Especially in the wide angle, and super-wide angle, zoom range.

Another thing Nikon could be doing is being more price-competitive with Canon. Canon has a bit of an edge right now in price, technology, and lens availability. I came close to jumping ship this year, and I know a number of pros who have made the leap.  Wake up Nikon!

That’s about it for now.  More later.

Happy shooting!

Original Entry:

Got my D90 today and, after a mad dash to Best Buy for an SDHC card, went out an took some shots during lunch. Thought I’d just run off some quick thoughts.

Nikon shaved a little bit off the left-hand side of the camera body on the D90.  It’s a bit smaller than the D70, which I don’t think is a plus. The smaller the camera, the less surface area to hold, the harder it is to keep it steady.  Not a major deal, but I’ll probably add the dual battery grip at some point, just to add something to the form factor.

At 12.5 Megapixels, the D90 takes gorgeous photos at a level of detail that makes me feel like I’m not missing anything by not shooting film.  The dynamic range captured by the camera’s DX sensor is amazing (I’m sticking a few photos from my Flickr account in here.  Put it all together with my already great collection of Nikon glass (my 24-120mm f3.5-5.6 AF-D zoom is my weapon of choice for general shooting, although I’ve got some primes, a long zoom, and will be adding 85mm f1.4 and 20mm f2.0 primes as my next purchases), Lightroom 2 and CS4 and all things are possible.

I did a test with the video capture mode at 720p 24. This is going to require some more research and testing, but in “auto everything” mode, the rolling shutter lag causes major skewing problems with ANY camera movement.  I get the feeling this is going to be for locked-down camera shooting only … but … It’s okay, I didn’t really buy this as a video camera.  Also, the fact that it captures AVI files isn’t a big plus either.

Regardless, this is a sweet, sweet, camera and will serve me well until I can get a model with a full-sized sensor.  I suspect both Canon and Nikon are just around the corner from developing new 24 Megapixel DSLRs with full-sized sensors that will also shoot great video (Note, I’m not including the over-hyped Canon 5D Mark II in this.  Good camera, but I think they can do better, both in the sensor department and the form factor … The Mark II is also too small for a pro camera, IMO.)

Manfrotto Modosteady a poor-man’s Steadicam

Posted on March 2, 2009 by Doug Luberts

I heard about the Manfrotto 585 ModoSteady 3-in-1 Camera/Camcorder Stabilizer and Support System on a couple of weeks ago on Twitter. The poster was wondering if anyone had used it and whether it was worth the $89 price tag (the list price is given as $209.)

I figured I couldn’t afford not to give it a shot and see … I’ve been having trouble with hand-held shots from my Canon VIXIA HF100 HD camcorder because it is, quite frankly, just a little bit too compact and my big, clunky, paws, just can’t hold it steady for more than a few seconds at a time.

The ModoSteady works, as the name implies, in three modes:  stabilizer mode, shoulder support mode, and, by opening up the operator’s handle, as a table top tripod.

The stabilizer for the rest of us?

The stabilizer for the rest of us?

As a stabilizer system, the ModoSteady does very nice work.  After hooking the Canon HF100 to the ModoSteady using a quick-release mount, it’s an easy matter of freeing the gimbal and balancing the counter-weighted arm with a couple of thumbscrews.  Having memories of struggling to balance my old Sony VX1000 on a Steadicam JR, I was surpised that this little guy was so friendly to use right out of the box, again, especially with regard to its price-point.  The camera tracks well even at a run.

By locking the gimble and swinging up the arm and rubber-padded counterweight, the ModoSteady converts into a nice shoulder support for your camera … I suspect this is the mode I’ll use the most in my shooting.

An ingeniously-designed cap attached to a light-weight bungee cord pops off of the bottom of the  handle, allowing the user to open it into a table-top tripod base.

One of the best features of the ModoSteady is that the whole unit folds-up into a compact form that will take up no more than about 4×6 inches, fitting easily into your backpack or camera bag.

Manfrotto also markets a separate remote-control zoom wheel for the ModoSteady, Manfrotto 585LNC Modosteady Remote Control.  I’ve got one back-ordered from Amazon.com, and will update this post as soon as it comes in.

If you’re looking to do Pro-quality work with one of the newer HD camcorders, the ModoSteady can’t be beat.

Canon HF100/AVCHD First Looks

Posted on October 4, 2008 by Doug Luberts

I got my new Canon HF100 Camcorder on Wednesday, and managed to take it out for a few minutes this week.  Basically I was looking to shoot some footage, get the data off the flash memory card and into Final Cut Pro.  This is just to get an idea of how easy it it, and what it looks like to shoot with this HD format off the shelf, and without any tinkering.

 

Palace of Fine Arts, San Francisco

Palace of Fine Arts, San Francisco

The HF100 is smaller than it’s older siblings … Such as the HV30.  That’s due to the absence of any tape drive mechanism.  The first thing I noticed is that you want to hold it at chest-to-waist level, but the record start-stop button is placed to be convenient for holding the camera at eye-level and using your thumb on the back of the camera … Which is kind of weird because there is no view finder, just a very nice view screen that folds out from the left side of the unit.  (Heh, heh … I said “unit.” <$1 to Beavis & Butthead>)

I would have probably opted for using the space reclaimed from the tape drive to provide a viewfinder and a little more surface area for ergonomics.  Also a start/stop button on top of the camera would be nice.

Continue reading “Canon HF100/AVCHD First Looks” »

Tomorrow is AVCHD-Day!

Posted on September 30, 2008 by Doug Luberts

My new Canon HF100 should be arriving tomorrow … I can’t wait to get it’s HD goodness into my hands.

Yeah, I’m friggin’ psyched and I’m blogging about it … Deal!

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